Library Catalogue, University of Skövde

   
Modern recording techniques / David Miles Huber, Robert E. Runstein.
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  • KURSLITTERATURHYLLAN
Main Entry - Personal Name
  • Huber, David Miles author.
Title Statement
  • Modern recording techniques / David Miles Huber, Robert E. Runstein.
Publication, Distribution, etc. (Imprint)
  • New York ; London : Routledge, 2018
Dewey Decimal Classification Number
  • 621.3893
Edition Statement
  • 9th edition
Physical Description
  • xxv, 616 pages illustrations
Series Statement
  • Audio Engineering Society Presents
General Note
  • Kurslitteratur 2 ex Ej hemlån!
Formatted Contents Note
  • Cover; Half Title; Title Page; Copyright Page ; Table of Contents; Acknowledgments; Chapter 1 Introduction; The Professional Studio Environment; The Professional Recording Studio; The Control Room; The Retro Revolution; The Changing Faces of the Music Studio Business; The Project Studio; Making the Project Studio Pay for Itself; The Portable Studio; The iRevolution; Live/On-location Recording: A Different Animal; Audio for Video and Film; Audio for Games; The DJ; The Times, They've Already Changed: Multimedia and the Web; Power to the People!; Whatever Works for You
  • The People Who Make It All HappenThe Artist; Studio Musicians and Arrangers; The Producer; The Engineer; Assistant Engineer; Maintenance Engineer; Mastering Engineer; Studio Management; Music Law; Women and Minorities in the Industry; Behind the Scenes; Career Development; Self-Motivation; Networking: "Showing Up Is Huge"; The Recording Process; 1. Preparation; The Power of Preparation; 2. Recording; 3. Overdubbing; Options in Overdubbing; 4. Mixdown; 5. Mastering; 6. Product Manufacturing and/or Downloadable Distribution; 7. Marketing and Sales; Chapter 2 Sound and Hearing; The Transducer
  • The Basics of SoundWaveform Characteristics; Amplitude; Frequency; Frequency Response; Velocity; Wavelength; Reflection of Sound; Diffraction of Sound; Phase; Phase Shift; Harmonic Content; Envelope; Loudness Levels: The Decibel; Logarithmic Basics; The Decibel; Sound-Pressure Level; Voltage; Power; The "Simple" Heart of the Matter; The Ear; Threshold of Hearing; Threshold of Feeling; Threshold of Pain; Taking Care of Your Hearing; Psychoacoustics; Auditory Perception; Beats; Combination Tones; Masking; Perception of Direction; Perception of Space; Direct Sound; Early Reflections
  • ReverberationChapter 3 Studio Acoustics and Design; Studio Types; The Professional Recording Studio; The Audio-for-Visual Production Environment; The Audio-for-Gaming Production Environment; The Project Studio; Primary Factors Governing Studio and Control Room Acoustics; Acoustic Isolation; Walls; Floors; Risers; Ceilings; Windows and Doors; Iso-Rooms and Iso-Booths; Acoustic Partitions; Noise Isolation Within the Control Room; Symmetry in Control Room Design; Frequency Balance; Reflections; Absorption; High-Frequency Absorption; Low-Frequency Absorption
  • Room Reflections and Acoustic ReverberationAcoustic Echo Chambers; Chapter 4 Microphones: Design and Application; Microphone Design; The Dynamic Microphone; The Ribbon Microphone; Further Developments in Ribbon Technology; The Condenser Microphone; Powering a Condenser Mic; External Power Supply; Phantom Power; The Electret-Condenser Microphone; Microphone Characteristics; Directional Response; Frequency Response; Transient Response; Output Characteristics; Sensitivity Rating; Equivalent Noise Rating; Overload Characteristics; Microphone Impedance; Balanced/Unbalanced Lines
Subject - Topical Term
  • Ljudinspelning
  • Inspelningsteknik
  • Musikinspelning
  • Magnetic recorders and recording.
  • Digital audiotape recorders and recording.
  • Sound Recording and reproducing.
Index Term - Uncontrolled
  • Klht19
Added Entry - Personal Name
  • Runstein, Robert E.
Series Added Entry - Uniform Title
  • Audio Engineering Society presents
ISBN
  • 9781138203679
  • 113820367X
  • 9781138954373
  • 1138954373
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*020  $a9781138203679$qhardback
*020  $a113820367X$q(hardback)
*020  $a9781138954373$qpbk.
*020  $a1138954373$q(pbk.)
*035  $a19394935
*035  $a(SE-LIBR)21733550
*041  $aeng
*08200$a621.3893$223
*1001 $aHuber, David Miles$eauthor.
*24510$aModern recording techniques /$cDavid Miles Huber, Robert E. Runstein.
*250  $a9th edition
*264 1$aNew York ;$aLondon :$bRoutledge,$c2018
*300  $axxv, 616 pages$billustrations
*336  $atext$btxt$2rdacontent
*337  $aunmediated$2rdamedia
*338  $avolume$bnc$2rdacarrier
*4901 $aAudio Engineering Society Presents
*500  $aKurslitteratur 2 ex Ej hemlån!
*5058 $aCover; Half Title; Title Page; Copyright Page ; Table of Contents; Acknowledgments; Chapter 1 Introduction; The Professional Studio Environment; The Professional Recording Studio; The Control Room; The Retro Revolution; The Changing Faces of the Music Studio Business; The Project Studio; Making the Project Studio Pay for Itself; The Portable Studio; The iRevolution; Live/On-location Recording: A Different Animal; Audio for Video and Film; Audio for Games; The DJ; The Times, They've Already Changed: Multimedia and the Web; Power to the People!; Whatever Works for You
*5058 $aThe People Who Make It All HappenThe Artist; Studio Musicians and Arrangers; The Producer; The Engineer; Assistant Engineer; Maintenance Engineer; Mastering Engineer; Studio Management; Music Law; Women and Minorities in the Industry; Behind the Scenes; Career Development; Self-Motivation; Networking: "Showing Up Is Huge"; The Recording Process; 1. Preparation; The Power of Preparation; 2. Recording; 3. Overdubbing; Options in Overdubbing; 4. Mixdown; 5. Mastering; 6. Product Manufacturing and/or Downloadable Distribution; 7. Marketing and Sales; Chapter 2 Sound and Hearing; The Transducer
*5058 $aThe Basics of SoundWaveform Characteristics; Amplitude; Frequency; Frequency Response; Velocity; Wavelength; Reflection of Sound; Diffraction of Sound; Phase; Phase Shift; Harmonic Content; Envelope; Loudness Levels: The Decibel; Logarithmic Basics; The Decibel; Sound-Pressure Level; Voltage; Power; The "Simple" Heart of the Matter; The Ear; Threshold of Hearing; Threshold of Feeling; Threshold of Pain; Taking Care of Your Hearing; Psychoacoustics; Auditory Perception; Beats; Combination Tones; Masking; Perception of Direction; Perception of Space; Direct Sound; Early Reflections
*5058 $aReverberationChapter 3 Studio Acoustics and Design; Studio Types; The Professional Recording Studio; The Audio-for-Visual Production Environment; The Audio-for-Gaming Production Environment; The Project Studio; Primary Factors Governing Studio and Control Room Acoustics; Acoustic Isolation; Walls; Floors; Risers; Ceilings; Windows and Doors; Iso-Rooms and Iso-Booths; Acoustic Partitions; Noise Isolation Within the Control Room; Symmetry in Control Room Design; Frequency Balance; Reflections; Absorption; High-Frequency Absorption; Low-Frequency Absorption
*5058 $aRoom Reflections and Acoustic ReverberationAcoustic Echo Chambers; Chapter 4 Microphones: Design and Application; Microphone Design; The Dynamic Microphone; The Ribbon Microphone; Further Developments in Ribbon Technology; The Condenser Microphone; Powering a Condenser Mic; External Power Supply; Phantom Power; The Electret-Condenser Microphone; Microphone Characteristics; Directional Response; Frequency Response; Transient Response; Output Characteristics; Sensitivity Rating; Equivalent Noise Rating; Overload Characteristics; Microphone Impedance; Balanced/Unbalanced Lines
*599  $aInst: IIT
*650 7$aLjudinspelning$2sao
*650 7$aInspelningsteknik$2sao
*650 7$aMusikinspelning$2sao
*650 0$aMagnetic recorders and recording.
*650 0$aDigital audiotape recorders and recording.
*650 0$aSound$xRecording and reproducing.
*653  $aKlht19
*7001 $aRunstein, Robert E.
*830 0$aAudio Engineering Society presents
*852  $x621.38$hKURSLITTERATURHYLLAN
^
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Ex1Available on shelf (not for loan)  KurslitteraturKURSLITTERATURHYLLAN
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